Batalha Cinema, 1947
Battle Square 60, 4000-100 Porto
Fresh Cinema Batalha, building by architect Artur Andrade, after several studies some in the Atelier-Museum warehouse Júlio Pomar). The theme of the work ends up settling in the balls of the parties of São João, typical of the popular neighborhoods of Porto. The fresh ones are executed in 1947 and destroyed in 1948.
Ceramic Panel of the Botequim do Lago, 1950
Campo Grande 294, 1700-097 Lisbon Lisbon
Ceramic panel of one of the interior walls of the lake bar (current house of the lake), integrated in the arrangement of the green zone of Campo Grande (current Jardim Mário Soares), in Lisbon, by architect Keil do Amaral. The panel, executed at the limited bombarralense ceramic factory in Bombarral, was the first experience of Júlio Pomar with tiles. The drawing is inspired by the vegetation of the garden that surrounds it, as well as in the animals that inhabit it, namely paws, swallows and butterflies.
High relief and sculptures on the main facade of the old Pontinha market, 1950s
Rua Infante Dom Henrique 53, 1675-122 Lisbon Lisbon
High reliefs and sculptures in skated cement, ceramic and aluminum beaten for the main façade of the Pontinha Market, by architects Victor Palla and Bento D'Almeida. Currently, the work is very altered, and the high relief has been moved from the market facade and integrated into an autonomous pedestal of the building, in honor of the salespeople of the former Pontinha Market, promoted in 2003 by the Parish Council.
Tile panel (fragment), c. 1958
Av. Infante Santo, Lisbon
If you pass by Infante Santo Avenue, notice this tile panel. This is a 1958 work signed by Júlio Pomar and Alice Jorge, a soft tone composition that brings together typical Lisbon figures of this time.
Tiles at Alto dos Moinhos Metro Station, 1989
João de Freitas Branco Street, Metro Station
Starting from the idea of honoring fourth names of the Portuguese letters, Camões, Bocage, Person, Almada and, bearing in mind that in public spaces they emerge in a natural and spontaneous way graffites, Júlio Pomar He decided to anticipate an anonymous hands, putting there graffitis of his own authorship. Says João Castel-Branco Pereira: “Orchard gives a body to a warrior and gallant camões, a memorist of a poetically fictional homeland, in medieval duels, east exotes and fiery loves on mythical islands. Another way of being Portuguese is what the artist records in Bocage, irreverent and sarcastic narrator of burlesque stories, which does not show a tenebristic consciousness of life. From the twentieth century, two emblematic figures of our contemporaneity are represented: Fernando Pessoa and Almada Negreiros. The first, character of the modern drama of the impossibility of the individual being one, dismaying himself in different heteronyms, sitting simultaneously to the same table of urban coffee. The second, cosmopolitan, exploding its integrity in the diversity of talents, harlequin of their drawings, elegant city, passionate of seeing, always attentive observer. ”
Champalimaud Portrait, Champalimaud Foundation, 2016
Centro Champalimaud Foundation, Avenida de Brasilia, 1400-038 Lisbon Lisbon
The portrait of António Champylimaud is inscribed in the concrete columns
find abroad of the foundation.
Ceramic Panel Participation - Lisbon Municipal Assembly, 2017
Avenida de Rome 14p - 2.9, 1000-265 Lisbon
Ceramic Panel Participation, executed by Raton Ceramics, in the Municipal Assembly of Lisbon. Project titled »Lisbon Letter» Created by the Raton Gallery, which challenged a set of eleven artists (Andreas Stäcklein, Eduardo Batarda, Graça Morais, Irene Burg; Jorge Martins, Lourdes Castro, Manuel Vieira, Maria Beatriz, Pedro Proença and Sofia Areal) To illustrate words that define the city. Júlio Pomar It represents the word parricit, first word to appear on the mural. The project is an integral part of the Citizenship Forum.