5 artists to follow if you like Manuel Cargaleiro
the portuguese artist Manuel Cargaleiro (b. 1927) created a striking language in the artistic world by combining ceramics and painting, through interplay between color, light and shadow. His works are strongly characterized by the use of geometry and language. abstract, tending to be non-figurative. The spontaneous and dynamic brushstrokes with vibrant colors overlap the form, reducing the formality that characterizes the geometric elements. The exploration of color is one of the main characteristics of his work, as it reveals feelings and creates different spaces in a single composition. The influence of the traditional Portuguese tile is denoted, by the repetition of the quadrilaterals and the use of colors such as blue and white. In addition to painting and ceramics, Manuel Cargaleiro he also explored drawing, sculpture, tapestry and engraving.
1.Vieira da Silva
Vieira da Silva met the artist Manuel Cargaleiro in 1954. They met at the collective exhibition at Galeria de Março, and a long friendship resulted. This continued to flourish in Paris when Manuel Cargaleiro was accepted as a scholarship holder and Vieira da Silva decides to sponsor him. Vieira da Silva It is Manuel Cargaleiro share a taste for Portuguese tiles and art abstract. This complicity resulted, in 1983, in the decoration of the Cidade Universitária station of the Metropolitano de Lisboa, where they worked together for the first time. The Portuguese, Manuel Cargaleiro It is Vieira da Silva, were among the last artists to join this well-known school in Paris and also the last generation of the lyrical abstraction movement.
the compositions abstracts, unite the two artists who transport us to different realities, conceived through textures and expressive brushstrokes of intense colors, referring to lived situations, emotions and actions laden with feeling and the power of freedom. Vicente Faria creates through descriptions and representations about the emotions acquired by experiences. A study of the moment, and of the now, which in the work places space and composition at the center of reflection. It challenges bad luck, the unsettling feeling that leads to a continuous exploration of inherent risks, with varied possibilities of expression using a constant mix of languages. A multiple representation of actions that give voice to the unconscious.
The similarities between the two artists come from the textures, brushstrokes and color inserted in the language abstract. This post-war movement embraced power and formal aesthetics over literal representation.
“My job - textile printer, my calling - to enter the world of shapes, colors and structures and to leave it as a master. As a visionary, I try to combine art – philosophy – genius and madness. I taught at the University for Artistic and Industrial Design in Linz. Worked at the side of Prof. Ernst Fuchs and Wolfgang Hutter on the implementation of their art on fabric. I also developed printing and design for international eyewear manufacturers such as Dior, Paloma Picasso, Viennaline, Dunhill and many more. This was followed by solo exhibitions, “Wave of Life” openings, artist in residence and action art projects. I work with Icon Gold Pigment, which was specially developed for my technique. My large-format works deal intensively with coloring, ie the composition of shades of color that arise from the fine squeegee technique. The series of images are expressive, strong works that, thanks to their abstractness, bring art perfectly into the room.” — Reinhard Sommer
4. Piet Mondrian
Piet Mondrian became known for creating a new artistic style, which was not based on typical techniques, but on his philosophical interpretation of questioning the very limits of art by breaking with conventional forms of painting. His compositions with primary colors, designed asymmetrically, and black orthogonal lines, thus demonstrating the aesthetic beauty and limits of painting itself. Before his famous paintings full of squares with primary colors, Piet Mondrian created pieces abstracts that resemble the works of the master Manuel Cargaleiro.
Subtle and beautiful splashes of color are brought together to create harmonious compositions, both in Sonia Delaunay as in the works of Manuel Cargaleiro. Sonia Delaunay was a French artist and designer best known for using bold, colorful geometric patterns. “For me, there is no gap between my painting and my so-called 'decorative' work. I have never found the 'lesser arts' to be artistically frustrating; rather, it was an extension of my art.” It was in Paris that she met and later married art dealer Wilhelm Uhde, who served as a means to Delaunay become a French citizen. During these first years in Paris, his paintings underwent a formal change influenced by the bright colors of Fauvism. It was Uhde who introduced her to her future husband Roberto Delaunay. Divorced and married Roberto Delaunay. The new couple pioneered the fusion of Cubism and Neo-Impressionism, later considered Orphism by the poet Guillaume Apollinaire. The artist used this new aesthetic approach to produce paintings, fabrics and drawings throughout her career. In 1964, Delaunay became the first living female artist to have a retrospective at the Louvre Museum. He died on December 5, 1979 in Paris, France, aged 94. Today, the artist's works are in the collections of the Museum of Modern Art in New York, the Carnegie Museum of Art in Pittsburgh and the Hermitage Museum in St. Petersburg, among others.