Regular price
€680
André Rita
Stone by Stone, 2022
Pen on paper
50X65cm
This drawing is a culmination of sensations and in it I represent the fascination with architecture. These incredible and majestic monuments, from the Mayan Pyramid, or the Hagia Sophia, to Notre Dame, create some uneasiness in me, the thought of someone taking the stone and molding it, fitting it together and creating something so magnificent. And as one of my works is not just about linear representation, I represent in it Belvedere by artist MC Escher, where the impossible and surrealism live in the middle of the ruin as if it had existed but now forgotten in time. At the top of the drawing, on purpose, I open a small space where the Tower of Babel is born, in which there is a city and a tower so tall enough to reach the sky. Finally, and with great enthusiasm, I draw a project by Jochen Gerz and his wife Esther Shalev-Gerz, the Monument against Fascism: an imposing twelve meter steel column erected. This work slowly disappeared over time and here I allow it to exist again and remain together with the word and the meaning it entails.
Stone by Stone, 2022
Pen on paper
50X65cm
This drawing is a culmination of sensations and in it I represent the fascination with architecture. These incredible and majestic monuments, from the Mayan Pyramid, or the Hagia Sophia, to Notre Dame, create some uneasiness in me, the thought of someone taking the stone and molding it, fitting it together and creating something so magnificent. And as one of my works is not just about linear representation, I represent in it Belvedere by artist MC Escher, where the impossible and surrealism live in the middle of the ruin as if it had existed but now forgotten in time. At the top of the drawing, on purpose, I open a small space where the Tower of Babel is born, in which there is a city and a tower so tall enough to reach the sky. Finally, and with great enthusiasm, I draw a project by Jochen Gerz and his wife Esther Shalev-Gerz, the Monument against Fascism: an imposing twelve meter steel column erected. This work slowly disappeared over time and here I allow it to exist again and remain together with the word and the meaning it entails.
- Técnica
- Pen · Paper
- Categoria
- Painting
- Dimensão
- 50 × 65 cm
- Tema
- Architecture · City · Figurative
- Movimento
- Surrealismo
- SKU
- 40432324706389
Entrega estimada
Envio segurado com número de rastreio para Portugal Continental. Data estimada de entrega junto ao preço.
Envio expresso com seguro
Todas as obras são preparadas minuciosamente para o seu transporte e o envio inclui seguro de transporte. Preparada para transporte internacional.
Devolução gratuita
14 dias após receção. Contacte o apoio ao cliente para reembolso integral em 5 dias úteis.
Autenticidade garantida
Certificado de autenticidade incluído. Todos os nossos parceiros são profissionais e validados pela P55.ART.
Trustpilot 4.7
Mais de 500 reviews verificadas de colecionadores em Portugal e Europa.
Regular price
€680
40432324706389
André Rita
Stone by Stone, 2022
Pen on paper
50X65cm
This drawing is a culmination of sensations and in it I represent the fascination with architecture. These incredible and majestic monuments, from the Mayan Pyramid, or the Hagia Sophia, to Notre Dame, create some uneasiness in me, the thought of someone taking the stone and molding it, fitting it together and creating something so magnificent. And as one of my works is not just about linear representation, I represent in it Belvedere by artist MC Escher, where the impossible and surrealism live in the middle of the ruin as if it had existed but now forgotten in time. At the top of the drawing, on purpose, I open a small space where the Tower of Babel is born, in which there is a city and a tower so tall enough to reach the sky. Finally, and with great enthusiasm, I draw a project by Jochen Gerz and his wife Esther Shalev-Gerz, the Monument against Fascism: an imposing twelve meter steel column erected. This work slowly disappeared over time and here I allow it to exist again and remain together with the word and the meaning it entails.
Stone by Stone, 2022
Pen on paper
50X65cm
This drawing is a culmination of sensations and in it I represent the fascination with architecture. These incredible and majestic monuments, from the Mayan Pyramid, or the Hagia Sophia, to Notre Dame, create some uneasiness in me, the thought of someone taking the stone and molding it, fitting it together and creating something so magnificent. And as one of my works is not just about linear representation, I represent in it Belvedere by artist MC Escher, where the impossible and surrealism live in the middle of the ruin as if it had existed but now forgotten in time. At the top of the drawing, on purpose, I open a small space where the Tower of Babel is born, in which there is a city and a tower so tall enough to reach the sky. Finally, and with great enthusiasm, I draw a project by Jochen Gerz and his wife Esther Shalev-Gerz, the Monument against Fascism: an imposing twelve meter steel column erected. This work slowly disappeared over time and here I allow it to exist again and remain together with the word and the meaning it entails.
- Técnica
- Pen · Paper
- Categoria
- Painting
- Dimensão
- 50 × 65 cm
- Tema
- Architecture · City · Figurative
- Movimento
- Surrealismo
- SKU
- 40432324706389
Entrega estimada
Envio segurado com número de rastreio para Portugal Continental. Data estimada de entrega junto ao preço.
Envio expresso com seguro
Todas as obras são preparadas minuciosamente para o seu transporte e o envio inclui seguro de transporte. Preparada para transporte internacional.
Devolução gratuita
14 dias após receção. Contacte o apoio ao cliente para reembolso integral em 5 dias úteis.
Autenticidade garantida
Certificado de autenticidade incluído. Todos os nossos parceiros são profissionais e validados pela P55.ART.
Trustpilot 4.7
Mais de 500 reviews verificadas de colecionadores em Portugal e Europa.
ArtistaSeguir artista +
André Rita,
Born in 1991
Porto, Portugal
I don't consider myself an illustrator, I consider myself perhaps an observer lucky enough to have a hand that follows my gaze.
As a young artist, my influences come mainly from my experiences, but they don't just come from them. Everything that crosses my path, and on which I look, has the ability to influence me in some way. Each of my creations goes through self-critical reflection, however, the work process has its own freedom, since my entire process until the final result is completely unexpected, in the sense that even I am surprised by the final creation.
It is easily noticeable that everything I create, or almost everything, emerges from architecture. The search for self is deeply linked to my obsession with fictional houses and cities, which are entirely linked to the sense of my own identity.
In my work, from a more intimate and personal point of view, there is a rejection of perfection, canons and even reality as we know it. My houses are, therefore, imperfect, uninhabitable, impossible, imaginary, utopian, but authentic beings and, therefore, a mirror of my body and my being.
Currently, and with the creation of the André Rita Atelier, I developed a more introspective work, avoiding the expectations that may exist, keeping in mind that the reason I started drawing was because I felt that there was something I wanted to manifest in order to have a greater understanding of myself and how to coexist with the rest of the world. society.
In the future, I try to ensure that my homes find a common space between reality and fiction, opening paths and possibilities for me and everyone.
Born in 1991
Porto, Portugal
I don't consider myself an illustrator, I consider myself perhaps an observer lucky enough to have a hand that follows my gaze.
As a young artist, my influences come mainly from my experiences, but they don't just come from them. Everything that crosses my path, and on which I look, has the ability to influence me in some way. Each of my creations goes through self-critical reflection, however, the work process has its own freedom, since my entire process until the final result is completely unexpected, in the sense that even I am surprised by the final creation.
It is easily noticeable that everything I create, or almost everything, emerges from architecture. The search for self is deeply linked to my obsession with fictional houses and cities, which are entirely linked to the sense of my own identity.
In my work, from a more intimate and personal point of view, there is a rejection of perfection, canons and even reality as we know it. My houses are, therefore, imperfect, uninhabitable, impossible, imaginary, utopian, but authentic beings and, therefore, a mirror of my body and my being.
Currently, and with the creation of the André Rita Atelier, I developed a more introspective work, avoiding the expectations that may exist, keeping in mind that the reason I started drawing was because I felt that there was something I wanted to manifest in order to have a greater understanding of myself and how to coexist with the rest of the world. society.
In the future, I try to ensure that my homes find a common space between reality and fiction, opening paths and possibilities for me and everyone.
Precisa de ajuda?
TelefoneSegunda a Sexta, 09:30 - 19:00 GMT +1
+351 934 239 608 (chamada para rede móvel nacional)
