Moai, Easter Island, 1950
Ink on paper
Dim. without frame62x52cm
Total dimensions: 87x67x1cm
Private Collection
Good condition according to its age and use
Shipping costs are available in our Shipping Policy. After payment confirmation, the artwork is prepared for dispatch. Verification, packaging and logistics validation may take up to 5 working days.
Free returns within 14 days. To return an artwork, simply go to the Returns Policy page and fill in the form, indicating the preferred collection date. After our confirmation, the courier will collect from the indicated address.
Buyer Protection removes any risk of fraud from our platform. P55.ART will resolve the situation if the purchased item does not match its description. We only send the purchase amount to the seller after the customer receives the artwork and is satisfied with their purchase.
Moai, Easter Island, 1950
Ink on paper
Dim. without frame62x52cm
Total dimensions: 87x67x1cm
Private Collection
Good condition according to its age and use
Shipping costs are available in our Shipping Policy. After payment confirmation, the artwork is prepared for dispatch. Verification, packaging and logistics validation may take up to 5 working days.
Free returns within 14 days. To return an artwork, simply go to the Returns Policy page and fill in the form, indicating the preferred collection date. After our confirmation, the courier will collect from the indicated address.
Buyer Protection removes any risk of fraud from our platform. P55.ART will resolve the situation if the purchased item does not match its description. We only send the purchase amount to the seller after the customer receives the artwork and is satisfied with their purchase.
Reynold Henri Arnould Seguir artista +
Reynold Henri Arnould foi um artista francês nascido em Le Havre, França, em 1919, e falecido em Paris, França, em 1980. Ingressou com apenas 10 anos na École des Beaux-Arts de Rouen e, em 1937, entrou na École des Beaux-Arts de Paris. Em 1939 recebeu o prestigiado Prix de Rome.
Após uma estadia nos Estados Unidos, regressou a Paris em 1952, sendo nomeado diretor do Museu de Le Havre. Mais tarde assumiu a direção do Grand Palais de Paris, tendo coordenado, em 1964, os trabalhos de reorganização e modernização das suas salas por iniciativa do então ministro da Educação francês, André Malraux.
A sua obra insere-se numa linguagem influenciada pelo futurismo, marcada pelo dinamismo das formas e pela forte influência cromática e estrutural das pinturas de Robert Delaunay.
