Untitled
Gouache on paper
Dimensions without frame: 24x46cm
Dim. 42.5x59.5x3cm
Gouache on paper “S/T”, Reynold Arnould, ps XX – Francia
Country of origin: France
Provenance: Private collection
Good condition according to its age and use
Spectacular work by Reynold Henri Arnould, signed in the lower right corner. It is a geometric composition, with a strong cubist influence. The work uses a palette of earthy colors, blacks and grays to structure the space in a casual architectural manner. The artist is recognized for his ability to fuse cubism with the industrial dynamics of his time.
Reynold Henri Arnould (1919-1980) was a renowned French artist, studying for 10 years at the École des beaux arts de Ruan, graduating in 1937 in Paris, winning the Rome Prize in 1939. He returned to the United States, returning to the French capital in 1952 and He was appointed director of the museum of El Havre and, later, of the Grand Palace of Paris after having directed in 1964 the work on the conditioning of its rooms on the initiative of the then Minister of Education, André Malraux. His style is part of late cubism, lyrical abstraction, very influenced by the works of Robert Delaunay, and the futurism of the Italians.
I exhibited in the main avant-garde salons, such as the Salón de Automne and the Salón de las Tullerías, and soon began to attract attention, particularly that of the influential critic Frank Elgar. In the prosperous Parisian atmosphere of the creativity of Liberation Arnould flourished, and developed productive friendships with Pignon, Gischia and Estève. In 1945, he held his first solo exhibition in the United States, at Galería Passedoit.
The artist is represented in numerous public collections, including the National Museum of Modern Art in Paris, and modern art museums in London, America, Italy, Norway and Switzerland.
- Técnica
- Guache · Papel
- Categoria
- Pintura
- Dimensão
- 60 × 43 cm
- Movimento
- Arte Abstrata
- SKU
- 54015112970567
Untitled
Gouache on paper
Dimensions without frame: 24x46cm
Dim. 42.5x59.5x3cm
Gouache on paper “S/T”, Reynold Arnould, ps XX – Francia
Country of origin: France
Provenance: Private collection
Good condition according to its age and use
Spectacular work by Reynold Henri Arnould, signed in the lower right corner. It is a geometric composition, with a strong cubist influence. The work uses a palette of earthy colors, blacks and grays to structure the space in a casual architectural manner. The artist is recognized for his ability to fuse cubism with the industrial dynamics of his time.
Reynold Henri Arnould (1919-1980) was a renowned French artist, studying for 10 years at the École des beaux arts de Ruan, graduating in 1937 in Paris, winning the Rome Prize in 1939. He returned to the United States, returning to the French capital in 1952 and He was appointed director of the museum of El Havre and, later, of the Grand Palace of Paris after having directed in 1964 the work on the conditioning of its rooms on the initiative of the then Minister of Education, André Malraux. His style is part of late cubism, lyrical abstraction, very influenced by the works of Robert Delaunay, and the futurism of the Italians.
I exhibited in the main avant-garde salons, such as the Salón de Automne and the Salón de las Tullerías, and soon began to attract attention, particularly that of the influential critic Frank Elgar. In the prosperous Parisian atmosphere of the creativity of Liberation Arnould flourished, and developed productive friendships with Pignon, Gischia and Estève. In 1945, he held his first solo exhibition in the United States, at Galería Passedoit.
The artist is represented in numerous public collections, including the National Museum of Modern Art in Paris, and modern art museums in London, America, Italy, Norway and Switzerland.
- Técnica
- Guache · Papel
- Categoria
- Pintura
- Dimensão
- 60 × 43 cm
- Movimento
- Arte Abstrata
- SKU
- 54015112970567
Ver em cenário
Reynold Henri Arnould foi um artista francês nascido em Le Havre, França, em 1919, e falecido em Paris, França, em 1980. Ingressou com apenas 10 anos na École des Beaux-Arts de Rouen e, em 1937, entrou na École des Beaux-Arts de Paris. Em 1939 recebeu o prestigiado Prix de Rome.
Após uma estadia nos Estados Unidos, regressou a Paris em 1952, sendo nomeado diretor do Museu de Le Havre. Mais tarde assumiu a direção do Grand Palais de Paris, tendo coordenado, em 1964, os trabalhos de reorganização e modernização das suas salas por iniciativa do então ministro da Educação francês, André Malraux.
A sua obra insere-se numa linguagem influenciada pelo futurismo, marcada pelo dinamismo das formas e pela forte influência cromática e estrutural das pinturas de Robert Delaunay.
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