Norberto Nunes It was born on May 16, 1942, in Pedrógão Grande, on the coastline. He took the course of painting at the School of Decorative Arts António Arroio in Lisbon, and a student of the Mestre Painter Roberto de Araújo in the National Society of Fine Arts. In the 1970s he initiates his professional route in the advertising area and in 1978 the new image, a company dedicated to the creation /
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Norberto Nunes It was born on May 16, 1942, in Pedrógão Grande, on the coastline. He took the course of painting at the School of Decorative Arts António Arroio in Lisbon, and a student of the Mestre Painter Roberto de Araújo in the National Society of Fine Arts. In the 1970s he initiates his professional route in the advertising area and in 1978 the new image, a company dedicated to the creation / production of advertising films, with which he conquers numerous national and international prizes - a silver lion in Cannes and Another silver lion at the New York festival, making it one of the most awarded national producers and that with greater reputation at the level of technical execution. In 1998, Norberto decides to return to the origins and resume painting. The past 19 years as a director give his painting a very particular feature giving him a very own style and an almost cinematographic identity in the way he works the light of his paintings, and how the forms seem to gain a perpetual movement.
From 1988 he is dedicated to painting. Since then, in Portugal, he has already exposed in Lisbon, Sintra, Lagoa, Constancy, Cascais, Coimbra, Cantanhede Sines; Pombal and Assembly of the Republic. Currently, there is an exhibition at the Museum of the Coches, subordinate to the theme "Kings and Queens of Portugal" outside, their work was seen in Paris, Rome, Madrid, New York, Barcelona, Rio de Janeiro, S. Paulo, Brasília, Recife and Fortaleza.
The Conservative of the Louvre Museum, Olivier Maslay, states that "exists in the work of Norberto Nunes An infinite temptation than fights reason. Vertigo is built on perspective. They are dominated to fall into space and abyss, often without limits. Nothing abstract in this universe, however, lyricism is structured by the line and by the angle, even if the latter sometimes seem to deform it happens on the effect of rigid and accurate laws. " After all, "space or infinite everything is built from the man."
