€1.000
Regular price €800No. 30/50
Shipping costs are available in our Shipping Policy. After payment confirmation, the artwork is prepared for dispatch. Verification, packaging and logistics validation may take up to 5 working days.
Free returns within 14 days. To return an artwork, simply go to the Returns Policy page and fill in the form, indicating the preferred collection date. After our confirmation, the courier will collect from the indicated address.
Buyer Protection removes any risk of fraud from our platform. P55.ART will resolve the situation if the purchased item does not match its description. We only send the purchase amount to the seller after the customer receives the artwork and is satisfied with their purchase.
€1.000
Regular price €800No. 30/50
Shipping costs are available in our Shipping Policy. After payment confirmation, the artwork is prepared for dispatch. Verification, packaging and logistics validation may take up to 5 working days.
Free returns within 14 days. To return an artwork, simply go to the Returns Policy page and fill in the form, indicating the preferred collection date. After our confirmation, the courier will collect from the indicated address.
Buyer Protection removes any risk of fraud from our platform. P55.ART will resolve the situation if the purchased item does not match its description. We only send the purchase amount to the seller after the customer receives the artwork and is satisfied with their purchase.
Simon Berger Seguir artista +
Contemporary master glassmaker, Simon Berger speaks a singularplastic language exploring the material in depth. Your material is
that of the glass that he hammers, lacerates or cracks. Glass becomes the support for an impactful expression that plays with light and transparency. The closer and shorter the strokes, the stronger the contrasts and shadows. In your hands, the hammer is not a
tool of destruction, but rather an effects amplifier.
His torn portraits, sculpted in glass, bring the eye into the meanderings of transparent wounds that he calls “morphogenesis”. A pioneer of this technique, his fragments evoke his fascination with faces, especially female ones. His metallic paintings become canvases where perceptions confront interpretations.
