€945
Regular price €760Mariana Homem de Mello
Untitled, 2022
Acrylic on covered wood
Dim.: 50x40cm
Certificate of Authenticity
Shipping costs are available in our Shipping Policy. After payment confirmation, the artwork is prepared for dispatch. Verification, packaging and logistics validation may take up to 5 working days.
Free returns within 14 days. To return an artwork, simply go to the Returns Policy page and fill in the form, indicating the preferred collection date. After our confirmation, the courier will collect from the indicated address.
Buyer Protection removes any risk of fraud from our platform. P55.ART will resolve the situation if the purchased item does not match its description. We only send the purchase amount to the seller after the customer receives the artwork and is satisfied with their purchase.
€945
Regular price €760Mariana Homem de Mello
Untitled, 2022
Acrylic on covered wood
Dim.: 50x40cm
Certificate of Authenticity
Shipping costs are available in our Shipping Policy. After payment confirmation, the artwork is prepared for dispatch. Verification, packaging and logistics validation may take up to 5 working days.
Free returns within 14 days. To return an artwork, simply go to the Returns Policy page and fill in the form, indicating the preferred collection date. After our confirmation, the courier will collect from the indicated address.
Buyer Protection removes any risk of fraud from our platform. P55.ART will resolve the situation if the purchased item does not match its description. We only send the purchase amount to the seller after the customer receives the artwork and is satisfied with their purchase.
Mariana Homem de Mello Seguir artista +
Mariana Telles da Silva Homem de Mello was born in Porto on November 3, 1974, and has lived in Lisbon her entire life. She began her artistic training in 1992 with a drawing course at the National Society of Fine Arts, later enrolling in a painting course in 2008.
Dedicated to drawing and painting from an early age, she initially developed a figurative and expressionist language. Starting in 2015, she embraced an abstract approach, characterized by free gestures and expressive layers, without preconceived aesthetics. Her work is distinguished by constant experimentation with materials and techniques, exploring acrylic, oil, oil pastel, and charcoal.
She has participated in several individual and collective exhibitions, and is represented in private collections in countries such as Spain, Italy, Germany and the United States of America.
