Erased Landscape 8
50cm X 50cm
Acrylic on canvas
2022
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Erased Landscape 8
50cm X 50cm
Acrylic on canvas
2022
Shipping costs are available in our Shipping Policy. After payment confirmation, the artwork is prepared for dispatch. Verification, packaging and logistics validation may take up to 5 working days.
Free returns within 14 days. To return an artwork, simply go to the Returns Policy page and fill in the form, indicating the preferred collection date. After our confirmation, the courier will collect from the indicated address.
Buyer Protection removes any risk of fraud from our platform. P55.ART will resolve the situation if the purchased item does not match its description. We only send the purchase amount to the seller after the customer receives the artwork and is satisfied with their purchase.
Germán Bel Seguir artista +
Germán Bel, also known as Fasim (1972), pioneering urban artist in Spain, active since the 1980s. Henry Chalfant played an important role in Fasim's career and was a key player in his later artistic development. In 1992, the artist traveled to Paris to Jonone and BadBC's studio at Hôpital éphémère where he lived for a few days and contemplated the process of creation on canvas and the emergence of urban art in art galleries, having joined the mythical crew of 156allstarz . Fasim's paintings take us to a dreamlike world where a game visual and poetic look seems to dominate the surface of the works, whether in the engraving of some tiles or in the erased or chipped stains on any urban wall. To a large extent, this game is the first inspiration of artists in the caves, where images appeared in the reliefs of the rocks and is certainly the birthplace of painting. Fasim has painted on countless walls, exhibitions and shows in many cities around the world; Barcelona, Valencia, Madrid, Toulouse, Perpignan, Marseille, Paris, New York, Berlin, Copenhagen, Amsterdam, Milan, Naples or Sarajevo, among others. The Museum of European and Mediterranean Civilizations (MuCEM) recently acquired three paintings and six drawings, which will be included in the Urban Art collection of the Marseille Museum of Contemporary Art (MAC). «(…) the police and city officials in New York City claimed back in the seventies, that Graffiti was an entry-level crime, leading down the slippery slope to a criminal career. How wrong they have proven to be. I have observed that an apprenticeship in graffiti has led more than a few adolescent taggers and bombers to find brilliant careers as painters, designers, publishers and filmmakers. I find no better example of this phenomenon than Fasim.» Henry Chalfant