€220
Regular price €180António Mira
Screen printing
Dim. Spot: 60x38cm
Dim. of support: 50x70cm
Number: 114/150
Signed
Shipping costs are available in our Shipping Policy. After payment confirmation, the artwork is prepared for dispatch. Verification, packaging and logistics validation may take up to 5 working days.
Free returns within 14 days. To return an artwork, simply go to the Returns Policy page and fill in the form, indicating the preferred collection date. After our confirmation, the courier will collect from the indicated address.
Buyer Protection removes any risk of fraud from our platform. P55.ART will resolve the situation if the purchased item does not match its description. We only send the purchase amount to the seller after the customer receives the artwork and is satisfied with their purchase.
€220
Regular price €180António Mira
Screen printing
Dim. Spot: 60x38cm
Dim. of support: 50x70cm
Number: 114/150
Signed
Shipping costs are available in our Shipping Policy. After payment confirmation, the artwork is prepared for dispatch. Verification, packaging and logistics validation may take up to 5 working days.
Free returns within 14 days. To return an artwork, simply go to the Returns Policy page and fill in the form, indicating the preferred collection date. After our confirmation, the courier will collect from the indicated address.
Buyer Protection removes any risk of fraud from our platform. P55.ART will resolve the situation if the purchased item does not match its description. We only send the purchase amount to the seller after the customer receives the artwork and is satisfied with their purchase.
António Mira Seguir artista +
Antonio Mira He is a Portuguese visual artist, born in Lisbon. Portugal, in 1953. It was in this city that he completed his academic studies, graduating in History.
Her debut in the art world occurred in 1974, and during the following five years her work focused on creating... facilities and performances.
As a painter, he initially presented a painting informal, characterized by "the pleasure of sin, the intoxication of matter and gesture," in his own words. The sense of excess and euphoria remained in his work, which began to pay great attention to the medium. He introduced the interaction of materialsusing the spray and presenting monochromatic areas that he subdivided using different materials, so that no zone was considered figure or ground.
Throughout his work, the interaction of materials is noticeable, using, for example, steel bars to divide the overall area of the painting. The relief, color, and material of these bars highlight, by contrast, their physical presence, just as the physical presence of more traditional pigments and supports does. The artist himself defined his paintings as "walls of contemplation" where one can find "being as object". Some of his paintings take on a strong chromaticism of whites, yellows and reds, always respecting the frontality of the support.
